Compared with what we have read so far (which have all been
super great stories, but have also been kinda short for the most part), there
is something to be said for how long and detailed Erec and Enide is (thus far,
of course), and how much action has already been packed into it. Some of the
other stories we have read just sort of have things happen and don’t really
explain them, which is fine. Here, however, we get so much detail in how
everything comes about.
One of my favorite earlier parts is when King Arthur is
deciding to revive the weird old custom of going on the hunt for the white stag
(and then, of course, the winner getting the right to have some action with the
prettiest lady in town), and Sir Gawain is like, “dude… bro… this is a really
bad idea. Let me specifically lay out the details of why this is a bad idea and
you should not go ahead with it.” And King Arthur listens to his logic and then
is just like, “you have a point… but imma do it anyways, but I’m the king.” (In
my head, he’s also maybe shouting YOLO and has on some pretty douchey
sunglasses.) Besides the obvious hilarity of the king flat-out refusing god
advice, this bit is also pretty funny considering the fact that Sir Gawain ends
up being wrong, and that there actually is one woman who is clearly the
prettiest girl around.
Enide’s introduction is also pretty damn hilarious. I
appreciate that, rather than just saying, “this girl was pretty,” we get can
entire paragraph going into all the various details of her beauty, and how she
is like some gift from nature or whatever. We get details on her eyes, her
forehead, her face, and everything. We even hear about how impressed Nature is
with its own efforts. This does a good job of sort of establishing that Enide’s
beauty is not just in Erec’s head. He may be enamored with her (so much so that
he doesn’t even really notice her blushing), but she has clearly been created
to be basically the prettiest thing to walk the earth… like ever.
I think her reaction to being presented to Erec later on
speaks volumes, and says a lot about what women were supposed to be during that
period. She is keeping quiet, but inside is overjoyed to be potentially a
queen. The ease with which they enter into their romance is pretty intriguing.
It is interesting to see how overjoyed Enide is to be a queen. It DOES say a lot about the times. Right now, us modern women who pretty much have the freedom to do whatever our male counterparts do (I know these is still debate on this...) are like, "Eww? How could she be objectified in such a way?" But to Enide, during a time that "trophy wife," had a very literal meaning, she is happy. To have a good lifestyle with a man who is good to her? Hell yeah! I suppose that's the most women could hope for at the time.
ReplyDeleteI also like how we are given descriptive details on Enide's beauty because it puts her a part from the other maidens we have been told about in previous stories where they sound like they are a part of a character's imagination. I also like how we get a little of her personality because she seems distraught about what is being said about her lover and she decides to do something about it. She also dismisses Erec after he repeatedly tells her not to talk to him which to that I say "hell fuckin' yeah!"
ReplyDeleteI agree with Julia about how interesting it is for Enide to be overjoyed at the possibility of being queen. Even in modern times, there are women who would love to be queen (possibly royalty) just to have the luxury that comes with it (and possibly the power kink), but I know I would hate to be queen. That is waaaaaay too much responsibility for me and all of the people's lives to think about - I can barely take care of my own.
ReplyDeleteAlso, dying at the image of Arthur saying YOLO with the douche sunglasses. That is a priceless image and I seriously want someone to draw a pic of it. *perfect*