Because however bad we are within,
We want to be thought wise and free from sin.
(Lines 943-944)
Although
I’ve read Chaucer’s “The Wife of Bath’s Tale” before, I had no idea it was inspired
by Gower’s “The Tale of Florent.” Whoever had this copy of Nine Medieval Romances of Magic before me marked up Chaucer’s tale
quite remarkably…no pun intended. He or she definitely loved to highlight and
color code, so I didn’t have to read Gower’s tale (or even the little
introduction) to discover and analyze the similarities and differences between
the two. I have to say, I’m kind of glad Chaucer added the rape because it
creates a more interesting story, even if “more interesting” includes the
fact that there’s a “happy ever after” for the rapist knight in the end. Let me
emphasize this a little more in case Chaucer didn’t hear me in his grave: YOU
GAVE THE RAPIST KNIGHT A HAPPY EVER AFTER DUDE.
WHY? I understand that a male raping a female is relevant to the
hierarchy of the sexes that practically produces women’s desire for power, but
I’ve still always hated it about the tale, so I’m excited to read “The Tale of
Florent” and pretend the rape never happens. Anyways, there’s nothing else
about the tale I have to complain about it. I was a little shaken up when I
read that King Arthur’s court didn’t have a feast because, you know, that’s what King
Arthur’s court does best, but that’s exactly what makes the absence of a feast
especially significant, so I get it. I just wanted a feast. Food is the answer to the riddle, guys.
The concept
of a male trying to find out what a woman wants in general is classic,
and Chaucer writes the search as a literal quest, which is rather humorous to
me. I mean, I’m imagining a medieval man, post-argument with his wife, posed
like “The Thinker,” and the thought bubble above his head is like, “What do
these women F*CKING WANT? SOS.” Jump cut: he hops on his noble steed and rides
off into the countryside. There’s a music overlay as he inquires far and wide
about the answer. In the end, his wife just wants him to let her on top more…
Come on, guys, that’s hilarious.
I’m curious
to see how other people interpret the old, ugly woman the knight meets because,
to me, the riddle has no single answer if every woman the knight speaks to
desires something different. I think the desire for sovereignty is unique to
the hag, even though “no woman, wife, or maid, or widow” contradicts the
knight when he gives it to King Arthur as the answer. I think the hag
strips herself of any actual power when she asks, “Then have I got the upper hand, since I may
choose and govern as I say?” Then, she only becomes both fair and good because her husband gives her permission to choose between ugly and good or fair and (possibly) bad, which is just so nice of him that her magic unlocks the options for her - I guess. Girl, you say power is what you want most. No one ever said that power had to be granted to you by a man. Are we
to assume that a woman can only obtain power if a man gives it to her? (For
Christ’s sake, Word (2010) won’t even let me type that last sentence with the
female pronoun before the male pronoun. I’m pissed.) Seriously, where’s the
tale where a woman takes power away from a man without his permission?
"The Wife of Bath's Tale" in Nine Medieval Romances of Magic by Marijane Osborn.